Sony’s A900 reviewed: ‘Highly recommended’ but with caveats

Filed under: Digital Cameras

Most consumers won’t be able to get their hands on Sony’s new 24+ megapixel A900 for at least another week or so, but dpreview has already had its way with one, putting this full-frame body through its paces in a typically exhaustive review. Overall findings are much the same as the site’s earlier impressions, with the main knocks being slow (but accurate) focus speed and noticeable noise when shooting at anything greater than ISO 400, making the camera’s ISO 6400 mode borderline useless. However, the hefty, 850g magnesium alloy body is “incredibly solid” and its bevy of features, including 5fps burst shooting and HDMI output, make it a solid value, too. Overall the A900 sounds quite good, though far from perfect, so unless you already have a closet full of compatible lenses you might just want to wait a month and see how Canon’s EOS 5D Mark II fares when run through the same ringer. If nothing else it’ll be $300 cheaper.

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Mamiya’s DL28 digital camera system is slightly cheaper than you’d think

Filed under: Digital Cameras

We know you want a pro-friendly medium format digital camera — so do we — but they’re awfully expensive, aren’t they? You might have to think about dropping as much as $30,000 one of these babies if you’re the discerning type, but Mamiya is trying to convince you that you can save a few thousand dollars and still get results. Enter the DL28 digital camera system, which combines the body of the well-established 645 with Leaf’s Aptus-II 6 digital back. It’s got 16-bit capture, a 12-stop dynamic range, an ISO range of 50 - 800, and a fancy 3.5-inch touch screen at price of $15,000, appropriate for cash-strapped professionals and financially comfortable hobbyists — unless Nikon has something to say about it.

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Casio EX-FH20 hands-on — in super slow-mo!

Filed under: Digital Cameras

No, literalists, we won’t be providing impressions of Casio’s latest high-speed shooter, the EX-FH20, in the English-language equivalent of bullet time — though feel free to sound out each word veerrryy slooowwwly if you’d like — but we did get to see how the camera performed shooting 1000 fps video and high-speed bursts of stills under very ideal circumstances, and came away quite impressed. Casio had members of the press lined up across the ice from some hockey players engaged in hockey activities, with lights the power of many suns at our backs to make the slow-motion video come out as more than a grainy mess. And it did. We found the interface very intuitive — more so than Casio’s first stab at slow-mo, the EX-F1 — and were shooting 1000 fps videos of the action within seconds. That top speed crops the top and the bottom of the shot, which turned out fine for the linear progression of a hockey shot, but 1000 fps is really overkill for anything more glacial than a flash of lightening, and we found 210 fps (which also provides more resolution and a better aspect ratio) to be a real sweet spot for sports action. The immediate effect of slow motion is the dimming of the scene, but it’s easy to adjust the f-stop and film speed to brighten things up a bit. Bursts of stills — up to 40, at 30 fps — are similarly easy to execute, and you can even set the camera to capture snaps for about a second before you fully click the shutter, in case you’re a little slow on the response time. Overall we’re very impressed with the build quality, size, image quality, manual controls and ease of use of this camera, especially in light of its $600 pricepoint, when big brother EX-F1 is retailing for a grand with very few differentiating perks.

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Casio EX-FH20 high-speed cam on sale now for $600

Filed under: Digital Cameras

We were sort of hoping import pricing was skewing high when we first caught wind of Casio’s new EX-FH20 high-speed cam, but it looks like this 27 percent smaller version of the EX-F1 will still set you back — official US pricing is $600. Specs are still hot for the money, though: 9.1 megapixels, 20x optical zoom, 3-inch LCD, 40fps burst shooting (at 7.1 megapixels), 1000fps high-speed low-res movie mode, and a 30fps 720p movie mode. Should be in stores now — hopefully we’ll see that price drift downward soon.

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DARPA contract shines light on real-time video spying initiatives

Filed under: Digital Cameras, Misc. Gadgets

Only the ignorant and the uninformed would assume that DARPA has never, ever dabbled in any kind of surveillance that wasn’t questionable on some level, but a recent contract awarded to Kitware gives us a better idea of just how deep the rabbit hole has gotten. The $6.7 million deal seeks to create a system whereby DARPA can “monitor live video feeds and search large volumes of archived video data for activities of interest,” with the point being to match up similar events from past and present in order to prevent an attack, foreshadow a certain event or discover some sort of terrorist trademark. As of now, we’re simply informed of the video spying in areas of Iraq and Afghanistan, but given that the capabilities are already here, it could be enacted wherever the government could place a camera-toting manned or unmanned aerial vehicle. Look up and give the friendly skies a wave, won’t you? Just don’t do anything “suspicious.”

[Via Slashdot, image courtesy of PointNiner]

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